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From Scene to Screen — Mobilizing Film Locations Through Creative Industry Policy and the Limits of Soft Power in Thailand (106803)
Session Information: Arts - Media Arts Practices | Session Chair: Çağri Bariş KasapThursday, 18 June 2026 14:30
Session: Session 3
Room: Room 116 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: Why has Thailand heavily promoted international location shooting over the past two decades, and how effective are these policies in advancing the Creative Economy and Soft Power? Positioned at the intersection of film studies, cultural policy, and creative space, this…
Strategic Media Production for Tourism Promotion in Bangkok, Thailand: A Case Study of ‘Taste and Trails City Run Banthat Thong’ (109376)
Session Information: Arts - Media Arts Practices | Session Chair: Çağri Bariş KasapThursday, 18 June 2026 14:05
Session: Session 3
Room: Room 116 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: This study aims to examine the strategic media production process for tourism promotion in Bangkok, Thailand, through a case study of “Taste and Trails City Run Banthat Thong.” This urban running event integrates food experiences, cultural elements, and local community…
What’s in a Song? A Discourse Analysis of the Wits #FMF Movement’s Iyho Solomon Song (102210)
Session Information: Arts - Performing Arts Practices: Theater, Dance, Music | Session Chair: Punnasak SukeeThursday, 18 June 2026 12:55
Session: Session 2
Room: Room 116 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: Social movements use various strategies and communication practices to speak back to, confront and influence systems of oppression in their quest for social change. Among these are practices that social movements not only use to challenge the status quo but…
Absurd Theatre as Contemporary Social Intervention: A Practice-Based Study of a Triple-Bill Production for Thai Audiences (106498)
Session Information: Arts - Performing Arts Practices: Theater, Dance, Music | Session Chair: Punnasak SukeeThursday, 18 June 2026 12:30
Session: Session 2
Room: Room 116 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: Absurd theatre, originating in post–World War II Europe, has often been perceived as culturally specific and inaccessible to non-Western audiences. However, contemporary Thai society—shaped by Buddhist philosophical perception, demographic transition toward an aging population, and heightened political sensitivity—provides a fertile…
Terpsichore Online: A Survey of Dance and the Internet (106377)
Session Information: Arts - Performing Arts Practices: Theater, Dance, Music | Session Chair: Punnasak SukeeThursday, 18 June 2026 12:05
Session: Session 2
Room: Room 116 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: Terpsichore Online is inspired by Sally Banes' seminal text "Terpsichore in Sneakers". Where Banes wrote a survey of Postmodern dance via the artists that defined the form and its influence during a specific time period, my research is a survey…
Situated Choreography: Relations Between Dance and Space in the Context of Carandiru, Brazil (107368)
Session Information: Arts - Performing Arts Practices: Theater, Dance, Music | Session Chair: Punnasak SukeeThursday, 18 June 2026 11:40
Session: Session 2
Room: Room 116 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: This research draws on the concept of situated choreography, understood as a set of choreographic practices that take situation as a compositional principle and conceive space as a relational and experiential dimension. From this perspective, dance and choreography do not…
A Study of the Organizing Process of the Thai Independent Documentary Film Festival (109321)
Session Information: Arts - Media Arts Practices: Television and Film | Session Chair: Pattaranun WaitayasinThursday, 18 June 2026 10:20
Session: Session 1
Room: Room 116 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: This research pursued two objectives 1) to identify approaches for developing and presenting Thai independent documentary films to younger audiences, 2) to examine the public relations and marketing communication strategies employed through festival organization. Thai independent documentary films currently remain…
Reclaiming the Invisible Pioneers: Chinese Female Filmmakers of the 1920s and 1930s (109173)
Session Information: Arts - Media Arts Practices: Television and Film | Session Chair: Pattaranun WaitayasinThursday, 18 June 2026 09:55
Session: Session 1
Room: Room 116 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: The 1920s and 1930s witnessed the rise of Chinese female filmmakers. The first known Chinese female screenwriter, Pu Shunqing (濮舜卿), entered the film industry in 1925. Subsequently, a group of actresses in Shanghai and Hong Kong, including Yang Naimei (楊耐梅)…
Creative Strategies for Developing a Romantic–Comedy Television Series Centered on the Girls Love Genre (109181)
Session Information: Arts - Media Arts Practices: Television and Film | Session Chair: Pattaranun WaitayasinThursday, 18 June 2026 09:30
Session: Session 1
Room: Room 116 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: The Girls' Love (GL) genre has experienced significant growth in the Thai television industry, becoming a prominent cultural export and rapidly expanding market segment. However, limited academic research has examined the storytelling and creative strategies that distinguish successful GL productions,…
Dialogical Education as Ethical and Critical Practice: Levinas and Contemporary Reflections on Youth Social Awareness in the Digital Age (109290)
Session Information: Global and Digital Citizenship Education | Session Chair: Monika D. KaminskaThursday, 18 June 2026 17:15
Session: Session 4
Room: Room 114 (1F)
Presentation Type:Oral Presentation
Abstract Teaser: This paper addresses the question of youth authenticity in digitally mediated societies through the ethical philosophy of Emmanuel Levinas and its relevance for contemporary philosophy of education. It focuses on teaching, learning, and the teacher–student relationship in contexts increasingly shaped…
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